Quarta-feira, Julho 07, 2004

Mobile Art

A jornalista wired Xeni Jardin convida para o Sent Online: snapshots enviados via celular pelo público ou por artistas profissionais convidados a participar da mostra.

SENT will be the first major exhibit of phonecam art in the United States. We'll explore the camera phone's potential as a creative tool in two ways: through an online public dialogue in which amateur photographers and phonecam users around the world share mobile snapshots of their lives; and through an invitational exhibit in which professional photographers, artists, and public figures test the limits of creative possibilities offered by these hybrid devices.

Phonecams -- mobile phones that include tiny, built-in digital cameras -- are a relatively new gadget. They've only become widely available in the US in 2003, and their use is largely utilitarian: snap a photo of your baby, your sunset, your face; then, share it with friends or family. They're small and cheap. We use them to capture the mundane, the obvious, and the personal. Soon, we'll use them to capture and manipulate data: phonecams are becoming handheld barcode readers, and tools for a variety of new mobile commerce applications.

The images they produce are undeniably crude, but like Polaroids or snapshots from vintage or "toy" cameras, that lack of finesse lends a distinctive, awkward charm. And the fact that they fuse together the abilities to capture, view, and distribute what we see (through e-mail or online photo weblogs) makes them revolutionary. Phonecams are changing the way we see the world, and our place within it. They're an extension of urban eyes. They democratize, hack, and deconstruct photography. When everyone is both photographer and publisher, how will art change? How will human conversation change? What will be the difference between professional and amateur? Through SENT, we'll find out.